Lucky Number Music

Hinds today release their highly anticipated new album I Don’t Run and in celebration share the video for “Finally Floating.” Perhaps the most bold and confident we’ve heard Hinds yet, “Finally Floating” revolves around a dance floor-ready beat as Carlotta Cosials and Ana Perrote exchange vocals like duelling bulls. “I’m feeling great ’till I’m laying in bed and all these random melodies sound again,” they cry while likening their experience to being trapped in suspended reality. The music video for “Finally Floating,” was directed by Wiissa and features a Hinds bike tour around their hometown of Madrid.

It’s been over two years since Hinds released their breakout debut album Leave Me Alone, and the band today release I Don’t Run, showcasing a bigger, better, faster, funnier, more dexterous Hinds. Co-produced by Hinds and Gordon Raphael and mixed by Shawn Everett, I Don’t Run is the product of a band fighting for their place, a band unwilling to rely upon their successes, a band who have just begun to prove themselves, and a band who plays hard but works even harder. With this second LP they continue their quest to own their narrative – one of sisters doing it for themselves. “We loved making this album,” says Ana Perrote. “We knew what we wanted and we have what we wanted. This is a new start for us and we’re fucking ready.” Buy I Don’t Run HERE.

Hinds today share the Matthew Dillon Cohen video for current single ‘The Club’, taken from their highly anticipated forthcoming album ‘I Don’t Run’, out April 6. Pre-order I Don’t Run HERE.

The vibrant, colour-popping video showcases a perfect meeting of minds, with Cohen (who has directed videos for Goldlink, Lil Yachty, Gus Dapperton, and Clairo’s recent viral clip for ‘Flaming Hot Cheetos’) shooting Hinds at their most carefree on the ski slopes of Upstate New York – continuing the sports theme from their recent ‘New For You’ video – with après gigging, jet skis rides and partying in chalets. We wish we were there.

Hinds conquered SXSW last week with a whopping 14 shows, to be followed by a co-headlining US tour with Albert Hammond-Jr. They return to our shores this April as they bring I Don’t Run and their insanely fun live show across Europe. Be sure not to miss out, get your tickets HERE.

Dream Wife have shared their latest video for album closer and firm live favourite ’F.U.U.’ that sees them reunited with their long time visual collaborator Aidan Zamiri and features guest Icelandic rapper Fever Dream spitting bars.

“F.U.U.” is a ferocious livewire anthem at Dream Wife’s gigs, and it felt natural to team up for the video with the all female, and decidedly punk rock, EVE Wrestling. Featured in the likes of Buzzfeed, The Guardian, Time Out, The New York Times and more, EVE have literally blown up in the wake of Netflix’s recent GLOW series, even expanding beyond their monthly wrestling shows to start their own wrestling school, the EVE Academy. Wrestlers Charlie Morgan, Livvii Grace, Bea Priestley, Erin Angel, Jamie Hayter and newly crowned XWA British Heavyweight Champion Rhia O’Reilly all feature in the video.

The band say: “For our new video for F.U.U consider: ROCK AND ROLL AS AN EXTREME SPORT. A place where everyone gets a 10, there are no winners, no losers, just high adrenaline, high octane good times. 

F.U.U is a partly tongue in cheek, partly deadly serious exploration of gleeful aggression and where better to WORK OUT this aggression than in the wrestling ring?

We would like to thank all of the Bad Bitches, Aidan & the Dream Team and the gang at EVE WRESTLING from the bottom of our hearts, as they taught us; everyone is a wrestler, maybe they just don’t realise it yet.”

Sunflower Bean (Julia Cumming, Jacob Faber, Nick Kivlen) will release their second album in a few weeks, and today they share an incredible, pageant-themed music video for their latest single “Twentytwo,” a song with a powerful and enduring message about resilience and pushing back against expectations.

Director Olivia Bee explains: “I loved metaphorically speaking about the reality of being a woman, but letting that reality exist whilst tapping into the magical blues of Twentytwo in Blue. This song showcases our strengths and individual beauties when we remove the masks that have been given to us by our society, and I wanted the video to reflect that.”

Sunflower Bean will release Twentytwo in Blue on March 23rd – Pre-order HERE.  Watch the video via Urban Outfitters below.

We are thrilled, and very excited, to announce that we have signed Australian trio Middle Kids and will release their eagerly-awaited debut album, Lost Friends, on May 4, 2018.  In addition the band have announced a London show at The Moth Club on April 2, tickets here.

On Lost Friends, Hannah Joy, Harry Day and Tim Fitz bring back their knack for haunting hooks, lyrical poignancy and irresistible indie rock appeal that critics praised in their self-titled first EP, released in February 2017. This radiant collection of new songs conjures melodic nostalgia for some of songwriting’s very best, rich in heartfelt build and beautiful simplicity. Take “Mistake” as evidence – the first single from the album, released today and available to stream / buy via all digital retailers. Listen to “Mistake” HERE

Middle Kids made a powerful debut last year with the release of their internationally acclaimed self-titled EP, featuring singles “Edge of Town” and “Your Love”. The band dazzled at several SXSW and The Great Escape showcases, made their U.S. television debut on Conan and supported legendary acts like Ryan Adams and The War On Drugs.

The new album, Lost Friends, is the kind of album that sucker-punches you in the gut, revealing its nuances only after repeated listens. The songs’ edges are jagged, the production clean, stray imperfections imbue warmth and a human touch. Middle Kids craft classic hooks and riffs that tangle up in your brain like licorice and choruses that linger long after the song has faded. And they’ve bonded over a greater sense of what their music should accomplish.

“In a time where a lot of division is growing, we want to be part of the conversation that unites people around certain ideals that are universal, like hope and love,” says Hannah Joy. “That’s so much a thread throughout this album: Even though things are tough, it’s worth believing in something good and in the idea that we can heal. And in some ways, I wanted the music to be beautiful and a respite from what’s going on.”