Sydney-based three-piece Middle Kids today release their latest single “Highlands”, which showcases everything that has made them such a formidable force in recent years. The band take the bare-bones of indie-rock (guitar, bass, drums) and elevate their songs with an astonishing and euphoric vocal performance, scorching production and an incomparable pop-sensibility. The result is a song which grabs the listener from the opening bars and doesn’t let go for a thrilling three-and-a-half minutes.
“Highlands” is the band’s second song to be produced by Jonathan Gilmore, who is renowned for his work with The 1975 and Beabadoobee (amongst others). The song follows their recent single “Bootleg Firecracker” which weaved together intricate acoustic melodies and unconventional drum production which set it apart from their previous repertoire and ushered in a new era for the band.
The new single is accompanied by an extraordinary video directed by Toby Morris who took the band to shoot in the New South Wales highlands surrounding Jindabyne. The spectacular beauty of the region is offset by stunt driving, helicopters, horses, motorcycles and the Southern Hemisphere’s largest car-wrecking yard. The visual feast matches the ferocious immediacy of the song.
Lead singer and songwriter Hannah Joy said of the song: “Since I was young, I’ve had this yearning to be free. In this song I used an image of the ‘highlands’ as a euphoric place where I have the space to be me, and you have the space to be you. Part of the imagery comes from my Scottish heritage, which my grandmother was always so proud of. I recorded some big slow piano chords which Tim mangled into the atmospheric hits in the intro.
When we finished the song with Jon Gilmore in the UK, he thought it was important that the song felt punky, like a bunch of teenagers practising in their garage. So, there are these 2 energies fighting it out – the constricted energy of the domestic space and the wide open energy of the highlands. We have a friend who calls this kind of music ‘yearncore’. It’s that impatient energy that says, ‘I can’t keep waiting, I need a change’.”
