Jay Som – Float / A Million Reasons Why
09.07.25
Jay Som – the project of Los Angeles-based multi-instrumentalist, songwriter and producer Melina Duterte – returns today, announcing her first new album in over six years. Since Jay Som’s critically acclaimed sophomore album Anak Ko came out in 2019, Duterte has spent the last few years cultivating her passion for production and audio engineering. This led to producing credits on the GRAMMY-winning boygenius album the record, Lucy Dacus’ latest Forever Is A Feeling, and countless beloved indie records. She also joined boygenius as a touring band member, collaborated alongside the likes of Troye Sivan, beabadoobee and No Rome, contributed to the I Saw the TV Glow soundtrack, and more. Yes, Jay Som itself has been on a bit of a break; Duterte, however, has perhaps been busier than ever.
Finally, Jay Som is back to announce Belong, out 10th October. While Jay Som has always been a solo project for Duterte, this album finds her expanding her world by collaborating with outside musicians, writers and producers. Duterte wrote, composed, performed, produced, engineered and mixed the record with contributions from Joao Gonzalez (of Soft Glas), Mal Hauser (a collaborator to Mk.gee and Illuminati Hotties) and Steph Marziano (producer for Bartees Strange, and Cassandra Jenkins). She also welcomed guest vocalists for the first time on one of her albums, featuring Hayley Williams, Jim Adkins (of Jimmy Eat World) and Lexi Vega (of Mini Trees) on different tracks. The album finds Duterte searching for her place, or somewhere she belongs, within an indie rock ecosystem that Jay Som stepped away from for the past six years. The result is an album unlike any Jay Som record before it: a gripping 11-song set about self-definition that floats between supercharged power-pop hits and hazy ballads, between electronic curiosities and lighters-up anthems.
Alongside today’s announcement, Jay Som shares two tracks from the record. First is “Float (feat. Jim Adkins)”, plus “A Million Reasons Why”. Duterte grew up with rock radio outside of San Francisco, memorizing the hits of early ’00s pop-punk and emo as a teen. Though she was 400 miles north along the California coast, The O.C. soundtracks—Imogen Heap, Bloc Party, Death Cab for Cutie, and so on—became major touchstones, too. You immediately hear the collision of it all in “Float”, the first song Duterte wrote for Belong.
Duterte says, “This song is about desperately trying to hold on to past versions of yourself for self-preservation. The fear of the unknown is so overwhelming that sometimes the best solution is to sit with it instead of fighting or running from it.”
Adkins adds, “Melina is an absolute professional in all aspects of music creation. I am honoured she had space in her vision for me to contribute. And it was a lot of fun to work on. Great song!”
Listen to “Float” and watch the Nina Ljeti-directed music video, which unintentionally but very serendipitously references the music video for Jimmy Eat World’s “The Middle”, below now.